We are seeking a talented VFX artist to create stunning visual effects for a car chase sequence. The project involves enhancing several key shots with dynamic and realistic effects. Applicants should have experience in compositing, motion tracking, and integrating CGI elements seamlessly into live-action footage. If you have a passion for action-packed sequences and a strong portfolio showcasing your skills, we would love to hear from you. Specifics: 1. Motion Tracking/headlights for car shots. 2. Creating realistic elements for 'miniatures shots.' 3. Background removal and replacement for 'miniature shots' only. . The $800 payment is negotiable. Link to Scene - https://drive.google.com/file/d/1WKKdNhxfyI-UDEvseXTm5gOJCmx03KQP/view?usp=share_link . We have entered film festivals. Here is the premise: Audrey, a young nurse haunted by the death of a patient, leaves the hospital to become a private-duty nurse. She is assigned to care for Leah, a former movie star battling illness. In an attempt to lift Leah's spirits, Audrey encourages her to revisit her acting career, unintentionally triggering an unhealthy obsession with the past. As Leah's mental state unravels, Audrey is forced to confront her unresolved trauma, leading both women into a spiral of chaos and unpredictability. Director Statement: I wanted to explore how trauma shapes identity, inviting the viewer to experience this through the perspectives of two women. By incorporating the female gaze, this story also seeks to bring a fresh lens to the horror genre, examining trauma from a nuanced, introspective angle. The story delves into the complexities of being an artist in the film industry, exploring not only the creative challenges and sacrifices but also the mental exhaustion that often accompanies the pursuit of artistic excellence in such a demanding field. It examines how the pressure to succeed, maintain originality, and meet expectations can take a toll on an artist's mental health, adding a deeply human layer to the narrative. Editing Deadline - 1-2 Weeks. We only need VFX for the miniatures and headlights for the cars. We shot everything else practically. .
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